
Herringbone, Chevron & Block
Loose blocks re-fixed, missing blocks matched from reclaimed timber, and the whole pattern sanded flat and finished properly.
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Why Parquet Is Different
On straight boards, the sanding machine runs with the grain. On parquet it can't: whichever way you push, half the blocks lie against you. So the sanding has to be planned. The levelling passes run diagonally across the pattern to flatten it without tearing the cross-grain blocks, and then the sequence steps finer and finer until the whole floor reads as one surface, not hundreds of little ones.
It's slower than sanding boards, and it should be. Rush a herringbone floor with a coarse belt and the machine writes its signature into every block that lay the wrong way.
The floor in this photo is original parquet we restored in Clapham; there's more of it on our Clapham page.
Right Tool, Right Floor
Part-way through the sand, the whole pattern gets a resin fill: filler mixed on the job with the floor's own sanding dust, trowelled across every joint, then sanded off flush. That's Dean in the clip, working it across a finger mosaic. On glued-down parquet, resin is exactly the right tool, because the blocks can't move the way suspended floorboards do. On pine boards we reach for a flexible filler instead, and we've written up why the difference matters.
Dean filling a finger mosaic with resin, mixed with the floor's own dust so it sands back the same colour.
Then it comes back off: the resin sanded flush on a herringbone, staying only where it belongs, down in the joints.
The Fiddly Bits
The edges of a pattern floor are where you can tell who did the work. Scribing herringbone cleanly around a hearth, holding a border dead straight down a long hallway, making a threshold meet tile or carpet without a clumsy cover strip: that's hand work, block by block, and it's the part we enjoy most.
The hearth in this photo is ours, from a herringbone job in Wimbledon. There's more pattern work on the Wimbledon and Dulwich pages, and a commercial-scale example on the Kensington page.
Fancy the pattern in a different shade while it's being restored? The staining page shows the twelve LOBA colours and the free patch test, and the floor visualiser will preview any of them on a photo of your own room.
Repairs Come First
Original parquet was usually stuck down with bitumen, and after seventy-odd years bitumen dries out and lets go. Blocks lift, rock underfoot, or vanish entirely under decades of carpet. None of that is a reason to give up on the floor.
Before any sanding we lift the failed blocks, clean the old bitumen off the timber and the subfloor, and re-fix everything with modern parquet adhesive. Missing blocks are matched from reclaimed stock, species and size, so once the whole floor is sanded and finished together the repairs disappear into the pattern.
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